Suicide isn’t normally a great topic of conversation, let’s be honest, and typically we don’t get the full story. Written and performed by Milly Thomas, Dust takes us on a fast paced, whirlwind journey as Alice finds herself stuck after she has killed herself… stuck to watch who she has left behind.
Up in the Big Belly of Cowgate, we are introduced to Alice in the minutes after she has left her corpse, as the doctors prod and poke away, and Alice watches in disgust. This is a ghost story but not as we once knew it… Full of crude sex stories, blunt sarcasm and quick retorts, Alice’s lifestyle will be familiar to a lot of audience members (but potentially not their parents!) as she tells of nights sliced with drugs and alcohol, and the people close to her.
The highs are counteracted by the lows and as Alice’s depression is hinted at and explored to some extent, relationships break down and emotions run free between family and friends. Switching from character to character, from Mum to best friend Ellie and others in between, Alice’s cold reaction in the face of grief and funeral planning is captivating to watch. Milly Thomas completely commands the space, and the harsh lighting and bass filled sound design work perfectly in sync to take us on a fly on the wall style trip through the aftermath of Alice’s death.
Fuelled by strong writing and fierce delivery, Dust is a must see. As the turbulence of the script takes its audience in to it’s rhythm, Milly Thomas is an absolute force to be reckoned with and the exploration of the life left behind you is honest and hard hitting. I urge you all to blag a ticket by any means possible.
There’s something lovely and relaxing about taking an hour out of the hustle and bustle of the festival to sit in a beautiful circus tent in the cenre of the Meadows whilst an orchestra masterfully plays its way through a children’s classic. The Tale of Peter Rabbit and Jemima Puddleduck has been brought to the Underbelly Circus Hub by Children’s Classic Concerts this summer and the tent was full of families excitedly scribbling on activity sheets and looking forward to the show.
The Beatrix Potter books are often a staple in a family home, and as Michelle Todd arrives to the stage in Potter style dress, the stories begin and Todd sings and narrates her way through with the accompaniment of an on stage mini orchestra. As Jemima Puddle-duck tries to find a spot to lay her eggs away from the farmer, and Peter Rabbit loses yet another blue jacket and shoes, the stories came audibly to life as all members of the family fell in to the Beatrix Potter world.
The music itself is beautiful but there were several restless moments and something visual to entertain the younger members of the audience could be of benefit here. However, the score soars as danger approaches from the fox or Mr McGregor, and the stories are wonderfully told via classical music. There is no doubt that Todd’s voice is a brilliant addition to the instrumental backing.
Whilst this performance lacked visual aids and interaction with the audience, CCC have created a brilliant introduction to classical music for children and the orchestra beautiful bob along between duck footprints and the sound of the nasty Mr McGregor approaching.
The Tales of Peter Rabbit and Jemima Puddle-duck | Underbelly Circus Hub
Have you ever tried to catch a hippo? Didn’t think so! This show is an interactive family show slightly out of the norm from your standard children’s peformance, and despite a bold as brass and slightly restless audience, Dr Zieffal, Dr Zeigal and The Hippo that can never be caught went down a storm in the early morning slot at Assembly Roxy.
As we are introduced to Dr Zieffal, whose assistant has gone awol, we are also introduced to her hippo hunting tactics and tool kit, all wonderfully colour coordinated in a very special area of the stage. Imagination is key in this one, and even the adults in the audience had their hippo google goggles on ready to hunt for the escaped mammal. Members of the audience are invited on stage at various points to help in the mission, and there was a really touching moment when one young boy picked up the scientists umbrella as she attempted to stack and carry everything to no success.
With a very relaxed feel to the whole performance, as the children shouted out suggestions and tried to help as much as possible as a brilliant chase ensued across and around the stage. Although some longer pauses and wordy scripted moments caused several younger ones to lose focus, the overal chaotic and fun nature of the performance kept the audience hooked throughout.
Brilliant fun and a whole load of hippo hunters in the making, this is a treat for the early morning slot and one for children not afraid to get involved!
Dr. Zeiffal, Dr. Zeigal and The Hippo That Can Never Be Caught! Mouth of Lions – Assembly Roxy
Paines Plough are back with the beloved roundabout and a stellar line up once again at the festival this year, and their early morning kids offering is a total gem. How to be a Kid is just what any one needs first thing, young or young at heart, and the messages of not growing up too quickly resonate with a lot of the audience.
Molly does all the cooking and cleaning, and looking after of younger brother when their Nan’s passes away and their Mum is struggling to cope. But Molly is only 12, and with everyone telling her different things about whether she needs to grow up or that she’s just a kid, one day it is all just too much. This show takes us on a break out adventure to find Molly’s inner kid once more, and with some help from Vera and a well timed promo voucher.
Although the story itself could do with a little more background into the family set up, the performances and messages are insightful and heart warming to see, as the bus zooms around the space, they dive in to the pool out of hours and Joe’s diplodocus moves hijack Molly’s cool levels on the walk home making two brothers down the front roar with laughter. With no props or set, the lighting design is crucial and works brilliantly to help us set the scene, from a dark house in the middle of the day to the bright lights of the Golden Arches.
With chocolate cake, happy meals and a large dose of Taylor Swift, How to be a Kid is a wonderful piece on upside down family life, with a whole lot of heart and the roundabout stage suits the three hander brilliantly. How to be a Kid | Paines Plough Roundabout @ Summerhall
Pleasance dome is a greenhouse haven from the showers this August in Edinburgh and tucked away in the Jack Dome, is Liz Richardson and Tara Robinson’s production of Gutted. A real life account of Liz’s bowel condition, this is a brace and brazen account of what goes on behind closed bathroom doors.
Liz Richardson is a twenty-something, living with a chronic bowel condition called ulcerative colitis, and as we were are introduced to several relations, as well as nurses and doctors, the extent of her condition becomes apparent to the audience. As audience members are invited on to stage to play the parts of parents and others, bribed with cupcakes and beer, Liz gives a bold and shamless insight in to appointment after appointment and the reactions from complete stranger, to delve into how we deal with invisible illnesses.
Well created and brilliantly told, as Liz switches from character to character, and eats yoghurt after yoghurt, she gives an upfront and engaging account into the condition and her experience dealing with embarrassing symptoms, as well as a grateful nod to the NHS. Not your standard show content by a long stretch, but a relevant and truthful account, scented by tomato ketchup, of an invisible illness which is so rarely spoken of.
Everyone has those ugly days, those days when you’ve not been matched on tinder or those days when you’re the reason there’s a smell on the bus… Tamar Broadbent is championing all females in their mid 20s with her show, Get Ugly, this year at Underbelly Med Quad and I’ll cut straight to the point, this show made me cackle. Loud.
Tamar has just come out of a five year relationship and is struggling to come to terms with herself again as a singleton, especially when her sister points out that you get 25% uglier when going through a break up! As she battles hot gym girl on a daily, struggles with the app dating game of swiping and matching and reiterates the common thoughts on Facebook suicide, she tells how she has learnt to love herself again as she adjusts to independent life.
This show is the perfect remedy for an ugly day and a slice of pure comic relief for a late afternoon. Through songs and anecdotes, and even a Britney moment, the sold out room was full of laughter, nods in agreement and a lot of hell yeahs. I mean, moving the fridge is super hard work for one person… but anyway, Get Ugly is for anyone who’s gone through a break up, fallen out with a friend or got stuck feeling a little less awesome than you should do, and I urge you all to get a ticket pronto.
Everyone knows the story of girl meets boy, but that is not quite the extent of this production by a long shot… Adapted from the story by Tim Burton, Oyster Boy has been brought to the festival by Haste Theatre company and are based in the tucked away Omnitorium as part of Assembly this year.
An all female ensemble, the cast work well together to tell the story of Jim and Alice’s whirlwind romance and the introduction to the world of their son, Sam who has an oyster for a head! Starting on a beach on Cony Island in the 1950s, the performance can sometimes feel a little disjointed and overly long in places, but as the Oyster Boy himself is brought to life in beautiful puppetry, the piece starts to soar along with the waves of the ocean. Molly and Polly work brilliantly as Sam’s playmates, accepting of their new friend no matter what their Mother says.
The puppetry itself injected fresh air in to the piece and the scenes of sole puppetry and singing were choreographed beautifully. Not what I was expecting from the offset but storytelling done very well complete with humorous doctors visits, a wonderful puppet and free lollipops!
Oyster Boy – Haste Theatre Company | Asssembly Omnitorium