The Other Room are back with their new season LoveSick, the first under new Artistic Director, Dan Jones. First up in the season is Caryl Churchill’s, A Number, proving that the writing is as relevant today as it was when first written back in 2002.
A fast paced two hander, as the two men take to the centre of the room the air is tense, unsettled and withthe space set up in the traverse, an uncomfortable but intriguing game of back and forth ensues. We soon learn that the two are father and son, and it seems their history was not all as it seems as the lies unravel and the truth comes to light. After unfortunate events years ago, the father chooses for scientists to clone his son to give himself another shot at fatherhood. But it’s not just the one, there’s a number of them, unbeknown to either of them.
This play showcases The Other Room in yet another new light as once again the set and lighting design soar. Being able to see other audience members on the opposite side of the room adds a sense of unease as nobody wishes to catch another’s eye, as we shift from one character to the other, and back again. Fortunately the piece itself is no longer than an hour as any longer and those in the centre of the room would have cramp in their neck trying to keep up. This is mostly down to the fact that each actor is hugely watchable and Stevie Raines in particular was brilliant to watch as he switched between a ball of nerves, an edgier alternative and a relaxed, happy with banana ice cream version of himself.
An unsettling but hugely relevant and interesting production, as identity and personality are put under the microscope and intentions are queried, with possibilities trialled and tested. Well worth a watch in The Other Room this season!