So my time up in Edinburgh may have come to an end but with two weeks to go, there is so much still to see and do. The atmosphere in Edinburgh throughout August is impossible to describe and is possibly the best kind of chaos you’ll find anywhere in the world.
From children’s shows to alcohol fuelled Shakespeare, and one man shows to stages brimming with ensemble, 30 shows filled my schedule interspersed with bacon rolls, orange juice and lemonade, Lidl bakery treats and a pint or two for good measure.
I laughed until I cried with Tamar Broadbent’s and her newly single lifestyle in her new show, Get Ugly and survived the front row as Shitfaced Shakespeare‘s production of Romeo and Juliet took a turn towards a Hebrew wedding with an inflatable dinosaur as a guest. Gecko’s The Dreamer was mesmerising to watch with stunning imagery, whilst Translunar Paradise from Ad Infinitum showed a heart string tugging story of love and loss. The Paines Plough Roundabout hosted some brilliant performances from Dirty Protest’s Sugar Baby (a fab take of Cardiff life fuelled with energy and the words of Billy the Seal), to the wonderful three hander Out of Love, exploring growing up and growing apart with an honest and heart warming script from Elinor Cook.
How to win against History is a huge dose of fabulous over at Assembly George Square, back for another year by popular demand, and the Stiff and Kitsch duo had us cackling with laughter in their highly relatable show Adele is younger than us.
There was a distinct whiff of alcohol based wisdom during The Thinker Drinkers (the gin was most definitely my favourite!), and there were belly laughs galore during Jenny Collier’s, Fantastic Beasts and where to find Jen. Traverse Theatre once again had a super popular and stellar line up, with an endearing script and on stage relationship during Jess and Joe forever, and an absolute powerhouse of a vocal performance from Josette Bushell-Mingo in Nina: A Story about me and Nina Simone. Secret life of Humans from New Diorama is brilliantly staged and The Nature of Forgetting is beautiful in it’s choreography and live soundtrack as it explores dementia and the memories that stick with us.
The one (wo)man shows are out in force this year, with a fast paced, hard hitting hour from Milly Thomas and Dust, a grim and dirty take of a bereaved dad in Trashed, a high five for the NHS in Gutted and the highly important journey of Seline Thompson in Salt among many others. Over at Zoo Southside, Wanna Dance with Somebody! Or a guide to managing social anxiety using theoretical physics was one of my impromptu decisions and it was a diamond of a show which was impossible not to get up and dance along to at the end.
I managed to catch Part One of The Divide as my first experience of Edinburgh International Festival and had massively mixed feelings but would be intrigued to see Part 2 at some point in the future if it’s set to tour. Despite the length, the staging itself is brilliant and my jaw dropped multiple times during Act 2. The Conti Ensemble are ones to watch as The Laramie Project was tense viewing with strong vocals from the ensemble throughout as witness statement after witness statement was presented following the horrific events in Wyoming.
There is a brilliant concoction of productions for children and young people across the venues, with brilliant slapstick fun from Three Half Pint’s rendition of The Three Musketeers, and a great introduction to classical music from CCC in The Tales of Peter Rabbit and Jemima Puddleduck over at the Circus Hub out in the Meadows. How to be a Kid made me feel all fuzzy inside as the importance of staying young and dancing to Taylor Swift became apparent, and there were songs and rocket fuel galore with Les Petits Theatre The First Hippo on the Moon. Dr Zeiffal, Dr Zeigal and the Hippo that Can Never Be Caught! had the hippo hunters in the audience roaring with laughter and suggestions for catching a hippo, whilst Oskar’s Amazing Adventures took us to the snowy mountains for a puppies mission to make friends and explore.
Whilst that’s my main round up out the way, there are thousands of productions at the festival which I didn’t get to and I had more than a few time clashes and ran out of hours in the day unfortunately! I’ve heard wonderful things about Jack Rooke over at Underbelly, Theatre Ad Infinitum’s other show Odyssey is sure to be brilliant, and Nassim at Traverse has had a fantastic response from audience members and critics alike. Monica Dolan has just won a Stage Award for her performance in The B*easts, and the awards will surely start to roll in across the board now as You’ve changed also picks up a gong. All we ever wanted was everything is said to be really strong gig theatre, Cosmic Scallies was on my wish list but clashed and DollyWould has had lots of recommendations from the twittersphere. Back by popular demand, Lemons, lemons, lemons… and Every Brilliant Thing are back again at the Roundabout, both excellent pieces which I have seen in previous years (take tissues for the latter!), and following its success at The Other Room, Cardiff, the incredible Seanmhair is over at Bedlam. And towards the end of the month the renown Fleabag is back again, so we’ll have to hope for a regional tour for that one!
To everyone lucky enough to still be in Edinburgh or is heading up over the next two weeks, have an amazing time. I am back home for the first night in my own bed and despite this still have massive fear of missing out on anything and everything.
See you next year Edinburgh: Happy 70th you beauty!